đȘ The Doorsâ Debut: Psychedelia, Fire Extinguishers, and a Rock Revolution | Classic Albums That Donât Suck #1 đžđ„
đ§ Welcome to the Dark Side of the Studio
The Songs That Donât Suck podcast branches into new territory with the long-promised spinoff: Classic Albums That Donât Suck. First up? The Doors’ self-titled debut albumâa record that didnât just introduce a band, but redefined what a debut could be.
Mark kicks off with some band history:
- Formed in 1965 by Jim Morrison & Ray Manzarek, UCLA film students
- Original lineup included Manzarekâs brothers before the classic lineup solidified with Robbie Krieger and John Densmore
- Signed to Elektra Records after a residency at LAâs Whisky a Go Go
- Album produced by Paul A. Rothchild, engineered by Bruce Botnick, and recorded at Sunset Sound Recorders
Oh, and Jim Morrison nearly destroyed the whole thing while on LSDâspraying down the studio with a fire extinguisher after mistaking the red work light for flames. He even left his shoes stuck in the fence.
đ Track-by-Track Breakdown: The Doors (1967)
1. đ€ Break On Through (To the Other Side)
- First single, didnât chart initially
- Latin-inspired drums + haunting vocals = Doors signature sound
âMaybe one of the best debut album openers ever.â
2. đœ Soul Kitchen
- Inspired by Morrisonâs favorite Venice Beach diner, Oliviaâs Place
âA laid-back groove meets sultry vocals and bursty choruses.â
3. đ The Crystal Ship
- A breakup song, not a drug reference
- Composed while high, staring at offshore oil rig lights
âPure vocal beauty. Jimâs voice in the spotlight.â
4. đ 20th Century Fox
- Witty, dreamy ode to a woman out of Morrisonâs league
- Cool note: they stomped on wooden planks during the chorus
âEarly studio ingenuity that just works.â
5. đ„ Alabama Song (Whisky Bar)
- Cover of a 1927 German poem by Brecht
- Retains Bavarian oompa feel + Doors chaos
âWeird, theatrical, hauntingâand brilliant.â
6. đ„ Light My Fire
- Krieger-penned, went to #1
- Album version: 7+ minutes; single: edited & sanitized
âThe song of the Summer of Love. The Doorsâ rocket launch.â
đ” Side 2: Deep Cuts & Sonic Experiments
7. đȘ Back Door Man (Howlin’ Wolf cover)
- Doors rewrote it into a 12-bar blues
âA rare cover that outshines the original.â
8. đ I Looked at You
- Pop-inflected, feels out of place
âFeels like fillerâjust not their vibe.â
9. đ End of the Night
- Minor tuning + creepy slide guitar = psychedelic perfection
âSlide guitar sets the atmosphere. Dreamy and dangerous.â
10. đ§ââïž Take It as It Comes
- Inspired by the Maharishi & transcendental meditation
- Classical influence in the organ solo
âNot a faveâbut that organ solo, though.â
11. â ïž The End
- Iconic, sprawling, controversial
- Allegedly recorded by candlelight, spliced from two takes
âThe most dissected song in rock historyâand for good reason.â
đ§Ș Behind the Music: Production Details
- Recorded on 4-track analog tape
â Track 1: Bass & drums
â Track 2: Guitar & organ
â Track 3: Vocals
â Track 4: Overdubs - Larry Knechtel (of Wrecking Crew fame) added bass to a few tracksâuncredited
- Recorded in just 6 days, mixed in October â66, released January 4, 1967
âThis album was made in chaos. That makes its tightness even more impressive.â
đ Accolades & Legacy
- Certified 4à platinum, over 100 million albums sold worldwide
- Peaked at #2 on the Billboard 200 (blocked by Sgt. Pepperâs)
- Included in the National Recording Registry
- Ranked #42 by Rolling Stone (before being demoted to #86 đ)
âRolling Stone? Chasing clicks, not facts.â
đŹ Markâs Personal Connection
- Fell in love with The Doors via the 1991 Val Kilmer biopic
- Went full-on Morrison mode in high school (yes, even wore a bead-for-bead replica necklace)
âItâs trance music for me. I can disappear into these songs.â
đŻ Final Score: A Rock Debut for the Ages
Rating: 9/10
âA few misstepsâbut this album defined a sound, a scene, and a legacy. Itâs damn near perfect.â
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đš …and I quote…
â The Doors didnât just break throughâthey blew the walls off what a debut could be. â
â Mark Bradbourne đïž