Episode 54 Recap


šŸŽ™ļø Songs That Don’t Suck – Episode 54

Spotify Shenanigans, AI Garbage, and Actual Music That Doesn’t Suck

Welcome back, song sleuths! Whether you’re a first-timer or one of the faithful, thanks for tuning in to another week of digging through digital noise to find real-deal music worth your ears.

This episode, Mark gets candid about Spotify’s new royalty policy—and why it could be bad news for musicians and music lovers alike. But fear not: amid a sea of algorithm-chasers and AI-generated fluff, he’s got five real gems for your playlists. šŸ’Ž

Let’s dig in.


🧨 Spotify Royalty Change: More Streams, Less Money?

Mark opens with a deep dive into the recent Medium piece by Pavel Marakovic on Spotify’s new royalty rules. Here’s the short version:

  • šŸ”„ Spotify now requires songs to hit a certain threshold—1,000+ streams and possibly more—to earn any royalty payment.
  • šŸ“‰ 160 million+ tracks fell below that mark; 45 million received zero streams.
  • šŸ¤– A ton of it is AI junk, ambient noise, and glorified audio spam.
  • šŸŽ¶ Real musicians get buried while fake content floods the pipeline.

Mark’s Take?

ā€œDo you play the algorithm game and risk your creativity, or make real art and pray someone finds it?ā€

That’s why this podcast exists. To bring you actual songs that don’t suck.


šŸŽ§ This Week’s Cover: Running Up That Hill – Placebo

Forget Stranger Things hype—Placebo’s take on Kate Bush’s classic is a moody, gritty stunner that pre-dates the Netflix nostalgia wave.

  • šŸŒ€ Think Depeche Mode meets Sonic Youth
  • šŸ”„ Smoldering guitars, hypnotic tempo, and a haunting vocal
  • āœ… Great gateway into Placebo’s discography: ā€œPure Morning,ā€ ā€œNancy Boy,ā€ and more

šŸ”„ This Week’s Songs That Don’t Suck

1. Last Night – John Veranas

šŸŽ™ļø Soulful indie with Latin roots and alt-rock polish

  • Mysterious new artist—possibly Latin American—making waves with just his second Spotify release
  • Laid-back groove reminiscent of The Revivalists and early Arctic Monkeys
  • Sultry, layered instrumentation with textured keys
  • Mark’s Verdict: ā€œI can’t compare it to much else, and that’s a good thing.ā€

2. In the Meantime – The Crooks

šŸ‡¬šŸ‡§ Oasis influence meets modern Britpop swagger

  • Catchy, driving indie rock with strong vocals
  • Yes, there’s a definite Oasis vibe—but they build on it with their own voice
  • A polished track that begs for a festival crowd

3. Vampire Disco – Friday Pilots Club

šŸ¦‡šŸŽ‰ Funky, infectious indie-pop from a returning favorite

  • If Life Support was brooding alt-rock, this is neon-lit dancefloor joy
  • Fans of Neon Trees, The Killers, or Foster the People? You’re in
  • Funky guitar riff, processed vocals, and a title that actually fits the vibe

4. No Doubt – Odie Lee

šŸ”„ Standout female singer-songwriter energy (with horns!)

  • Unique, powerful voice that stands apart from the breathy-clone crowd
  • Rock-tinged arrangement with horn accents and grit
  • Mark mentions a Sarah Harmer comparison (shoutout to Open Window, his wedding song!)
  • Bonus: Local show regret is real—he missed her live last year. 😬

5. Price You Pay – Bend Sinister

šŸŽø Classic rock revival done right

  • Initial vibes: Doobie Brothers
  • Closer comparison: Rival Sons, Dirty Honey
  • Jazzy vocal scat mid-song adds unexpected flair
  • Released summer 2023 but rediscovered thanks to Spotify’s AI DJ (hey, it sometimes works)

šŸ”— Where to Connect

šŸ“¹ Listen on Spotify, Apple Podcasts, YouTube (just audio, no face—by design šŸ˜„)
šŸŽµ Artist or fan? Use the contact form to suggest songs!


šŸŽ§ That’s a wrap for Episode 54!
Until next week—keep listening, keep discovering, and always keep searching for…
Songs That Don’t Suck.

Author: MB

Leave a Reply

Your email address will not be published. Required fields are marked *